{"id":121,"date":"2019-09-19T15:02:36","date_gmt":"2019-09-19T13:02:36","guid":{"rendered":"https:\/\/tempodacqua.com\/?page_id=121"},"modified":"2019-11-18T16:49:26","modified_gmt":"2019-11-18T15:49:26","slug":"ateliertempodacqua","status":"publish","type":"page","link":"https:\/\/tempodacqua.com\/ateliertempodacqua\/","title":{"rendered":"ATELIERTEMPODACQUA"},"content":{"rendered":"<div  class=\"tatsu-g754nxl9yr7lb5n8 tatsu-section    tatsu-clearfix\" data-title=\"\"  data-headerscheme=\"background--dark\"><div class='tatsu-section-pad clearfix' data-padding='{\"d\":\"39px 0px 0px 0px\"}' data-padding-top='39px'><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-one-col tatsu-row-has-one-cols tatsu-medium-gutter tatsu-reg-cols  tatsu-clearfix tatsu-g754nxla4jak1aqu\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-column-no-bg tatsu-one-col tatsu-column-image-none tatsu-column-effect-none  tatsu-g754nxlacpap6jqq\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-module tatsu-text-block-wrap tatsu-g754nxlahud3t0g5  \"><div class=\"tatsu-text-inner tatsu-align-center  clearfix\" ><style>.tatsu-g754nxlahud3t0g5.tatsu-text-block-wrap .tatsu-text-inner{width: 100%;text-align: left;}<\/style>\n<h2>ATELIERTEMPODACQUA \/ Blue is Lifeblood<\/h2>\n<\/div><\/div><div class=\"tatsu-row-wrap  tatsu-row-one-col tatsu-row-has-one-cols tatsu-medium-gutter tatsu-reg-cols tatsu-inner-row-wrap  tatsu-clearfix tatsu-HJeD-pl-wS\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-col tatsu-column-image- tatsu-column-effect-  tatsu-HyvZTgWvS\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-module tatsu-text-block-wrap tatsu-rJcb6lbvr  \"><div class=\"tatsu-text-inner tatsu-align-center  clearfix\" ><style>.tatsu-rJcb6lbvr.tatsu-text-block-wrap .tatsu-text-inner{width: 100%;text-align: left;}<\/style>\n<h5><span style=\"color: #000050;\"><a style=\"color: #000050;\" href=\"\/alfonso-femia\">Alfonso Femia<\/a><\/span> ha composto un gruppo di lavoro, un atelier geografico e mentale, per finalizzare il progetto della Biennale di Architettura di Pisa, combinando gli sforzi individuali e incrociando le competenze per un risultato finale inclusivo di arte, architettura, progetto, design e \u2026 palpabile pensiero.<\/h5>\n<\/div><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-HyvZTgWvS.tatsu-column{width: 100%;}.tatsu-HyvZTgWvS.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-HyvZTgWvS > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-HyvZTgWvS > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-HyvZTgWvS > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-HyvZTgWvS > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-HyvZTgWvS.tatsu-column{width: 100%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-HyvZTgWvS.tatsu-column{width: 100%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-HyvZTgWvS.tatsu-column{width: 100%;}}<\/style><\/div><\/div><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><\/div><style>.tatsu-row > .tatsu-g754nxlacpap6jqq.tatsu-column{width: 100%;}.tatsu-g754nxlacpap6jqq.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: none;}.tatsu-g754nxlacpap6jqq > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-g754nxlacpap6jqq > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-g754nxlacpap6jqq > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-g754nxlacpap6jqq > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-g754nxlacpap6jqq.tatsu-column{width: 100%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-g754nxlacpap6jqq.tatsu-column{width: 100%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-g754nxlacpap6jqq.tatsu-column{width: 100%;}}<\/style><\/div><\/div><\/div><\/div><div class=\"tatsu-section-background-wrap\"><div class = \"tatsu-section-background\" ><\/div><\/div><style>.tatsu-g754nxl9yr7lb5n8 .tatsu-section-pad{padding: 39px 0px 0px 0px;}.tatsu-g754nxl9yr7lb5n8 > .tatsu-bottom-divider{z-index: 9999;}.tatsu-g754nxl9yr7lb5n8 > .tatsu-top-divider{z-index: 9999;}<\/style><\/div><div  class=\"tatsu-Hyb1h7-ZDB tatsu-section  tatsu-bg-overlay   tatsu-clearfix\" data-title=\"\"  data-headerscheme=\"background--dark\"><div class='tatsu-section-pad clearfix' data-padding='{\"d\":\"30px 0px 90px 0px\"}' data-padding-top='30px'><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-has-four-cols tatsu-tiny-gutter tatsu-reg-cols  tatsu-clearfix tatsu-rJlJ2m-bDr\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-ByuRo-WPr\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-SyEGlzWvB team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/roberta_deciechi.jpg\" alt=\"ROBERTA DE CIECHI\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >ROBERTA DE CIECHI<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >scrive d\u2019architettura e affianca Alfonso Femia sull\u2019intero viaggio della Biennale di Pisa<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-SyEGlzWvB .team-wrap{text-align: left;}.tatsu-SyEGlzWvB{padding: 0px 0px 36px 0px;margin: 0px 0px 0px 0px;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-ByuRo-WPr.tatsu-column{width: 25%;}.tatsu-ByuRo-WPr.tatsu-column{margin: 0px 0 0 0 !important;}.tatsu-ByuRo-WPr.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-ByuRo-WPr > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-ByuRo-WPr > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-ByuRo-WPr > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-ByuRo-WPr > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-ByuRo-WPr.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-ByuRo-WPr.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-ByuRo-WPr.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-HyguCiWWPH\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-8FCmd2Yfg team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/antonia_marmo.jpg\" alt=\"ANTONIA MARMO\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >ANTONIA MARMO<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >formazione da architetto, lavora nella comunicazione e nel marketing per l'architettura e il design. Scrive per IQD e Cieloterradesign. Nata in sartoria, le piace oggi tessere storie tra mondi differenti e sguardi laterali<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-8FCmd2Yfg .team-wrap{text-align: left;}.tatsu-8FCmd2Yfg{padding: 0px 0px 36px 0px;margin: 0px 0px 0px 0px;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-HyguCiWWPH.tatsu-column{width: 25%;}.tatsu-HyguCiWWPH.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-HyguCiWWPH > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-HyguCiWWPH > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-HyguCiWWPH > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-HyguCiWWPH > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-HyguCiWWPH.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-HyguCiWWPH.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-HyguCiWWPH.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-S1ZdAoZZwr\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-HJRiN--vH team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/enrico_martino.jpg\" alt=\"ENRICO MARTINO\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >ENRICO MARTINO<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >genovese, architetto, ama il design e l\u2019interior. Si occupa dei progetti di interni, editoria e web di AF517 Inside the Whale di Atelier Femia<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-HJRiN--vH .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-S1ZdAoZZwr.tatsu-column{width: 25%;}.tatsu-S1ZdAoZZwr.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-S1ZdAoZZwr > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-S1ZdAoZZwr > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-S1ZdAoZZwr > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-S1ZdAoZZwr > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-S1ZdAoZZwr.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-S1ZdAoZZwr.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-S1ZdAoZZwr.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-HJM_AsZ-vH\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-B1dyBWZDS team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/liloye_chevallereau.jpg\" alt=\"LILOYE CHEVALLEREAU\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >LILOYE CHEVALLEREAU<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >francese di Lu\u00e7on, si occupa di comunicazione del progetto e del format \u201cL\u2019Entre Deux\u201d. Fa parte dell\u2019Inside The Whale parigino di Atelier Femia<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-B1dyBWZDS .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-HJM_AsZ-vH.tatsu-column{width: 25%;}.tatsu-HJM_AsZ-vH.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-HJM_AsZ-vH > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-HJM_AsZ-vH > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-HJM_AsZ-vH > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-HJM_AsZ-vH > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-HJM_AsZ-vH.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-HJM_AsZ-vH.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-HJM_AsZ-vH.tatsu-column{width: 100%;}}<\/style><\/div><\/div><\/div><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-has-four-cols tatsu-tiny-gutter tatsu-reg-cols  tatsu-clearfix tatsu-FPRTYUpaQ\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-qQleUkO49g\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-kV5ee5Uw1l team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/temporin_poplab.jpg\" alt=\"VALENTINA TEMPORIN \/ Poplab\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >VALENTINA TEMPORIN \/ Poplab<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >di scuola veneziana, ha uno straordinario talento per \u201cconnettere\u201d strutturando strategie innovative per modelli tipologici e costruttivi e una grande passione per gli strumenti digitali<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-kV5ee5Uw1l .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-qQleUkO49g.tatsu-column{width: 25%;}.tatsu-qQleUkO49g.tatsu-column{margin: 0px 0 0 0 !important;}.tatsu-qQleUkO49g.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-qQleUkO49g > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-qQleUkO49g > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-qQleUkO49g > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-qQleUkO49g > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-qQleUkO49g.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-qQleUkO49g.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-qQleUkO49g.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-gztUn_S0K-\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-rkZvfI-Zvr team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/gilberto_bonelli.jpg\" alt=\"GILBERTO BONELLI + GIANNI VESENTINI + UROS VUKOVIC \/ DIORAMA\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >GILBERTO BONELLI + GIANNI VESENTINI + UROS VUKOVIC \/ DIORAMA<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >digital imagery studio, da anni con Alfonso Femia sviluppa film sul tema della materia, della citt\u00e0 e sul codex della Luna<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-rkZvfI-Zvr .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-gztUn_S0K-.tatsu-column{width: 25%;}.tatsu-gztUn_S0K-.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-gztUn_S0K- > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-gztUn_S0K- > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-gztUn_S0K- > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-gztUn_S0K- > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-gztUn_S0K-.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-gztUn_S0K-.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-gztUn_S0K-.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-KpmIRL8GQe\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-ByrPM8WZwr team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/enrico_casini.jpg\" alt=\"ENRICO CASINI\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >ENRICO CASINI<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >architetto fiorentino, dialoga sul \u201crealismo immaginario\u201d attraverso il suo lavoro di rappresentazione tra i tempi diversi della citt\u00e0, dei paesaggi, dell\u2019uomo<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-ByrPM8WZwr .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-KpmIRL8GQe.tatsu-column{width: 25%;}.tatsu-KpmIRL8GQe.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-KpmIRL8GQe > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-KpmIRL8GQe > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-KpmIRL8GQe > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-KpmIRL8GQe > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-KpmIRL8GQe.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-KpmIRL8GQe.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-KpmIRL8GQe.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-LfXsif_pfb\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-S1B_pLb-Dr team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/sarah_amari.jpg\" alt=\"SARAH AMARI\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >SARAH AMARI<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >architetto di libri, sguardo mediterraneo per tempodacqua, i suoi orizzonti tra Algeri, Roma e il Nordest<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-S1B_pLb-Dr .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-LfXsif_pfb.tatsu-column{width: 25%;}.tatsu-LfXsif_pfb.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-LfXsif_pfb > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-LfXsif_pfb > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-LfXsif_pfb > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-LfXsif_pfb > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-LfXsif_pfb.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-LfXsif_pfb.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-LfXsif_pfb.tatsu-column{width: 100%;}}<\/style><\/div><\/div><\/div><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-has-four-cols tatsu-tiny-gutter tatsu-reg-cols  tatsu-clearfix tatsu-H1DGL-ZwH\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-HkTxhbZvB\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-uA6yKmmUW team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/giorgio_tartaro.jpg\" alt=\"GIORGIO TARTARO\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >GIORGIO TARTARO<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >giornalista tv, uomo di lago, compagno di viaggio di Alfonso Femia tra Mediterranei Invisibili e 500x100talk, \u00e8 la voce che ha incontrato l'architettura e il design internazionale degli ultimi decenni<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-uA6yKmmUW .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-HkTxhbZvB.tatsu-column{width: 25%;}.tatsu-HkTxhbZvB.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-HkTxhbZvB > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-HkTxhbZvB > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-HkTxhbZvB > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-HkTxhbZvB > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-HkTxhbZvB.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-HkTxhbZvB.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-HkTxhbZvB.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-SJlTl3b-wB\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-QABaYJlAP team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/stefano_anzini-1.jpg\" alt=\"STEFANO ANZINI\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >STEFANO ANZINI<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >fotografo, uno sguardo \u201cdurante il viaggio\u201d accompagna da alcuni anni il suo  percorso personale tra territori orientali e africani con il dialogo dei diversi format del talk di 500x100 con Alfonso Femia e Giorgio Tartaro<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-QABaYJlAP .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-SJlTl3b-wB.tatsu-column{width: 25%;}.tatsu-SJlTl3b-wB.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-SJlTl3b-wB > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-SJlTl3b-wB > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-SJlTl3b-wB > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-SJlTl3b-wB > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-SJlTl3b-wB.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-SJlTl3b-wB.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-SJlTl3b-wB.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-SkZ6gh-WPB\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-BDeT2ThJw team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/simonetta_cenci.jpg\" alt=\"SIMONETTA CENCI\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >SIMONETTA CENCI<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >genovese, architetto, si occupa con AF di citt\u00e0 d'acqua e di rigenerazione urbana. Per la Biennale di Pisa collabora allo sviluppo di un dialogo tra le citt\u00e0 mediterranee nel rapporto strategico citt\u00e0-porto<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-BDeT2ThJw .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-SkZ6gh-WPB.tatsu-column{width: 25%;}.tatsu-SkZ6gh-WPB.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-SkZ6gh-WPB > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-SkZ6gh-WPB > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-SkZ6gh-WPB > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-SkZ6gh-WPB > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-SkZ6gh-WPB.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-SkZ6gh-WPB.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-SkZ6gh-WPB.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-S1G6l2WWPH\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu--c0mlqvAl team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/marco_corazza.jpg\" alt=\"MARCO CORAZZA\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >MARCO CORAZZA<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >friulano, architetto, vive a Milano e dirige l\u2019atelier AF517 di Milano e si occupa dei temi tra citt\u00e0 e architettura. Collabora con il team che si occupa dello sviluppo dell\u2019allestimento della terza edizione della Biennale di Pisa<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu--c0mlqvAl .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-S1G6l2WWPH.tatsu-column{width: 25%;}.tatsu-S1G6l2WWPH.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-S1G6l2WWPH > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-S1G6l2WWPH > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-S1G6l2WWPH > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-S1G6l2WWPH > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-S1G6l2WWPH.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-S1G6l2WWPH.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-S1G6l2WWPH.tatsu-column{width: 100%;}}<\/style><\/div><\/div><\/div><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-has-four-cols tatsu-tiny-gutter tatsu-reg-cols  tatsu-clearfix tatsu-4JJ2aL1mW\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-NcGGChO_yk\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-r2lJqUlf2 team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/sara_gottardo.jpg\" alt=\"SARA GOTTARDO\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >SARA GOTTARDO<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >trevigiana, architetto, vive a Parigi dove dirige l\u2019atelier AF517 e si occupa dei progetti urbani tra Nord Europa e Mediterraneo. Collabora alla esplorazione e ricerca delle tematiche del \u201ctempodacqua\u201d<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-r2lJqUlf2 .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-NcGGChO_yk.tatsu-column{width: 25%;}.tatsu-NcGGChO_yk.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-NcGGChO_yk > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-NcGGChO_yk > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-NcGGChO_yk > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-NcGGChO_yk > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-NcGGChO_yk.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-NcGGChO_yk.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-NcGGChO_yk.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-pTCLO3gZwc\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-TKUk1Byt3L team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/fabio_marchiori.jpg\" alt=\"FABIO MARCHIORI\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >FABIO MARCHIORI<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >ligure, ingegnere, vive a Milano e  si occupa dei temi di ricerca sulla materia dell\u2019atelier milanese. Collabora con il team che si occupa dello sviluppo dell\u2019allestimento della terza edizione della Biennale di Pisa<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-TKUk1Byt3L .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-pTCLO3gZwc.tatsu-column{width: 25%;}.tatsu-pTCLO3gZwc.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-pTCLO3gZwc > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-pTCLO3gZwc > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-pTCLO3gZwc > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-pTCLO3gZwc > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-pTCLO3gZwc.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-pTCLO3gZwc.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-pTCLO3gZwc.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-6Bcq8otfxi\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-iC9ZUjTHH team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/09\/sergio_tani.jpg\" alt=\"SERGIO TANI\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >SERGIO TANI<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >genovese, videomaker e webmaster, collabora da anni con AFdesign e 500x100 per gli aspetti relativi allo sviluppo e alla gestione degli strumenti della comunicazione. Cura il sitoweb \u201ctempodacqua\u201d<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-iC9ZUjTHH .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-6Bcq8otfxi.tatsu-column{width: 25%;}.tatsu-6Bcq8otfxi.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-6Bcq8otfxi > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-6Bcq8otfxi > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-6Bcq8otfxi > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-6Bcq8otfxi > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-6Bcq8otfxi.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-6Bcq8otfxi.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-6Bcq8otfxi.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-xH7my0D7Rn\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-igKXXEP-1n team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/11\/natalee_christine_rojo.jpg\" alt=\"NATALEE CHRISTINE ROJO\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >NATALEE CHRISTINE ROJO<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >Nata a Miami, communication and graphic designer, ama la musica, l\u2019architettura e lo storytelling. Si occupa dei progetti di editoria e comunicazione web di AF517 Inside the Whale di Atelier Femia, 500x100talk e tempodacqua.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-igKXXEP-1n .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-xH7my0D7Rn.tatsu-column{width: 25%;}.tatsu-xH7my0D7Rn.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-xH7my0D7Rn > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-xH7my0D7Rn > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-xH7my0D7Rn > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-xH7my0D7Rn > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-xH7my0D7Rn.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-xH7my0D7Rn.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-xH7my0D7Rn.tatsu-column{width: 100%;}}<\/style><\/div><\/div><\/div><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-has-four-cols tatsu-tiny-gutter tatsu-reg-cols  tatsu-clearfix tatsu-UYXXlu5ix\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-rzqLq4ic52\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-4u_5lv8KE- team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/11\/Gianmatteo_Ferlin_1.jpg\" alt=\"GIANMATTEO FERLIN\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >GIANMATTEO FERLIN<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >modenese, graphic designer, ama il rock e l\u2019architettura.  Si occupa dei progetti di editoria e comunicazione di AF517 Inside the Whale di Atelier Femia.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-4u_5lv8KE- .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-rzqLq4ic52.tatsu-column{width: 25%;}.tatsu-rzqLq4ic52.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-rzqLq4ic52 > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-rzqLq4ic52 > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-rzqLq4ic52 > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-rzqLq4ic52 > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-rzqLq4ic52.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-rzqLq4ic52.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-rzqLq4ic52.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-DRYQQyGss4\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-zwN1Wh6hD1 team-shortcode-wrap oshine-module\"  ><div class=\"element  c_to_c style5-title\"><div class=\"element-inner\"><div class=\"flip-wrap\"><div class=\"flip-img-wrap zoom-in-effect\"><img src=\"https:\/\/tempodacqua.com\/wp-content\/uploads\/2019\/11\/francesca_mollura-1.jpg\" alt=\"FRANCESCA MOLLURA\" \/><\/div><\/div><div class=\"thumb-overlay\"><div class=\"thumb-bg\" ><div class=\"display-table\"><div class=\"display-table-cell vertical-align-middle\"><div class=\"team-wrap clearfix\" ><h5 class=\"team-title\" >FRANCESCA MOLLURA<\/h5><p class=\"designation\" ><\/p><p class=\"team-description\" >genovese, segreteria organizzativa e agenda delle attivit\u00e0.  Si occupa della segreteria organizzativa di AF517 Inside the Whale di Atelier Femia al fianco di Simonetta Cenci. Insieme all\u2019associazione LP e a SC si occupa dei molteplici aspetti organizzativi degli eventi fuoribiennale.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><style>.tatsu-zwN1Wh6hD1 .team-wrap{text-align: left;}<\/style><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-DRYQQyGss4.tatsu-column{width: 25%;}.tatsu-DRYQQyGss4.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-DRYQQyGss4 > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-DRYQQyGss4 > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-DRYQQyGss4 > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-DRYQQyGss4 > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-DRYQQyGss4.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-DRYQQyGss4.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-DRYQQyGss4.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-column-empty tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-p5VJpSTctr\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-p5VJpSTctr.tatsu-column{width: 25%;}.tatsu-p5VJpSTctr.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-p5VJpSTctr > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-p5VJpSTctr > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-p5VJpSTctr > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-p5VJpSTctr > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-p5VJpSTctr.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-p5VJpSTctr.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-p5VJpSTctr.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-column-empty tatsu-one-fourth tatsu-column-image-none tatsu-column-effect-none  tatsu-uZIypUiKUs\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-uZIypUiKUs.tatsu-column{width: 25%;}.tatsu-uZIypUiKUs.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-uZIypUiKUs > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-uZIypUiKUs > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-uZIypUiKUs > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-uZIypUiKUs > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-uZIypUiKUs.tatsu-column{width: 25%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-uZIypUiKUs.tatsu-column{width: 25%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-uZIypUiKUs.tatsu-column{width: 100%;}}<\/style><\/div><\/div><\/div><\/div><div class=\"tatsu-section-background-wrap\"><div class = \"tatsu-section-background\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-section-overlay\"><\/div><style>.tatsu-Hyb1h7-ZDB .tatsu-section-pad{padding: 30px 0px 90px 0px;}.tatsu-Hyb1h7-ZDB .tatsu-section-offset-wrap{transform: translateY(-0px);}.tatsu-Hyb1h7-ZDB > .tatsu-bottom-divider{z-index: 9999;}.tatsu-Hyb1h7-ZDB > .tatsu-top-divider{z-index: 9999;}.tatsu-Hyb1h7-ZDB .tatsu-section-overlay{mix-blend-mode: normal;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"<p><a href=\"https:\/\/tempodacqua.com\/ateliertempodacqua\/\" class=\"more-link style1-button\">Read More<\/a><\/p>","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":25,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/tempodacqua.com\/wp-json\/wp\/v2\/pages\/121"}],"collection":[{"href":"https:\/\/tempodacqua.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tempodacqua.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tempodacqua.com\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/tempodacqua.com\/wp-json\/wp\/v2\/comments?post=121"}],"version-history":[{"count":0,"href":"https:\/\/tempodacqua.com\/wp-json\/wp\/v2\/pages\/121\/revisions"}],"wp:attachment":[{"href":"https:\/\/tempodacqua.com\/wp-json\/wp\/v2\/media?parent=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}